“…Spacious, wall-shaping, many small works combine to form a large mural. Grids open up multi-layered pictorial spaces. In between, empty spaces that themselves become a pictorial element. White” at the end of the wall. If you go around this corner and look into the room from there, you have no idea of the world of colour that is happening on this large wall. In this exhibition in particular, it makes sense to keep changing your position and to pay attention to the changing spatial images.
In contrast to traditional wall painting, the term “installation” is more than appropriate as Peter Stohrer’s approach. Does the wall design consist

consist of panel paintings in the classical sense, or do the different formats not in part also give the impression of a relief? These raised panels appear corporeal and do not want to fit into an overall uniformity. Thus the outer form of the works corresponds to their content. The installation remains excerpt-like; it could basically go on forever. And in this, Peter Stohrer responds to Astrid Bartels, whose circles also seek continuation via the picture format – endless stories and no closed chapter…”